Zocalo Hannah

The Wild Garlic Grill hits the mark with delicious French-inspired cuisine

March 9, 2013 |

It’s a trait I inherited from my mother, whose aesthetic taste is unrivaled: the moment I enter a restaurant I start to pass judgment — way before I’ve seen the menu or my waiter — based on the decor. Mom-and-pop joints and dives have it pretty easy with me: if I expect cracked linoleum and paper napkins, I adjust my pickiness to match.

The Wild Garlic Grill, however, shoots for refinement — and doesn’t quite hit the mark. The ocotillo-ribbed ceiling provided a rustic warmth, and there were a couple of vibrant, good-looking oil paintings on the walls. But the heavy, patinaed frames on the blackboards and mirrors looked tawdry, the “butcher paper” on the tables looked liked it should have come with crayons, and the bar was cramped and cheap-looking. Unfortunately, sometimes it’s obvious when a restaurant doesn’t hire an interior designer.

The good news: as soon as my dinner came out, the decor was the last thing on my mind. The food was delicious. Chef Steven Shultz, an Arizona native and a veteran of the state’s restaurant scene, is the culinary muscle behind Wild Garlic Grill. His French-influenced culinary background, fused with a more laid-back California vibe, is what makes Wild Garlic Grill a success.

Both of my meals began with an appetizer or two. Although the fondue lacked the gooey consistency of its classic forebearers — it was more like cheese sauce  — my dining companions and I polished it off happily. Mussels with garlic and tomatoes on my second visit were delicious, but the restaurant had run out of bread. Nothing to sop up the savory beurre blanc sauce at the bottom of the bowl! I wanted to dash out to a bakery, or dispatch our waiter. Our meal was marred, though definitely not ruined, by this shortage.

The highlight of my dinner came in a large, shallow bowl — so reminiscent of a Moroccan tagine that I found myself resisting the urge to eat the succulent lamb with my hands. It was the night’s special: braised lamb shank in a rich and comforting burgandy wine sauce, redolent with warm spices and accented with onions and mushrooms.

Two fish dishes also showcased the kitchen’s talent: a tilapia special served with a crisp salsa (heart of palm, avocado, cilantro, and more), and grilled salmon with tomato-spiked risotto and a beurre blanc sauce.

A vegetable side of the evening accompanies each dish at Wild Garlic Grill.  The first night’s vegetable medley included bell peppers, chard, and, oddly but not unsuccessfully, cooked cucumber. A mix of sautéed kale, zucchini, and Brussels sprouts on my second visit was too salty for me. Still, it added a pleasing burst of color to my meal — a delicious but incredibly rich linguini bolognaise with braised beef, pork, and veal that would have easily been enough for two hungry carnivores.

The restaurant features an entirely adequate wine selection and a small, somewhat bizarre cocktail menu featuring items such as a Smurf-inspired blue martini and a savory “sangria” that sounds more like a Bloody Mary. One of my dining companions tried the Summer Day, a drink made with muddled basil and cucumber — delicious, but misplaced on a drink menu that should have had pairings better suited to the complex, savory meals that Wild Garlic Grill offers.

The service at Wild Garlic Grill is a bit harried, and at moments the timing is off. The wait staff is warm and accommodating, however, and as time goes on the staff will no doubt learn the rhythms of this still-new restaurant. And next time I visit for a great meal, I’ll avert my eyes from those heavy-framed mirrors and simply enjoy some delicious food.

The lowdown:

How much? $$ – $$$ (entrees average between $10 and $20)

Who goes? Attracts a more mature crowd; mostly groups of friends or couples.

What’s the vibe? Classy yet inviting.

Is it worth it? Fantastic food for the price — definitely worth a visit.

Review: May’s Counter

February 23, 2013 |

Chicken And Waffle Experience Underwhelms

The subdued ambiance of May’s Counter feels incongruous to cheery Southern cuisine. There are bright red diner stools marching along the bar, but black and dark wood dominate the decor. Six flat-screened TVs tuned to sports stations are dotted around the dining area: heavy tables spread across a tiled floor that mimics poured concrete. Black faux leather booths—each with a bold red racing strip down the center emblazoned with May’s Counter’s logo—line the wall opposite the bar. The overall atmosphere of “sports-bar-meets-diner-meets-grandfather’s-mahogany-paneled-study” is polished – but boring. As for the food, the concept is robust, but execution underwhelms.

Two friends weaned on grits and fried chicken in Louisiana joined me for my first dinner at May’s. We ordered a few beers – May’s has an entirely adequate selection of cocktails and beers, including the kitschy option of a PBR tallboy in a paper bag – while we mulled over the trendy-looking menu.

I selected the “Hen” ($10): one waffle and two chicken breasts. The chicken arrived crisp and crunchy, its white meat moist within, but the batter could have used a jolt of seasoning. And the limp waffle was like elevator music: inoffensively bland.

My friend Daniel approved of his gigantic shrimp po’ boy ($11, with a side of tater tots or crinkle-cut fries), with the exception of the bread: it looked and tasted like an oversized hot dog bun and left him wishing for the traditional French bread. Jessie’s fried catfish “big plate” ($14 with two sides) was enjoyable, but she delivered a crushing blow when she admitted that the meal wasn’t as good as her elementary school cafeteria’s version. Her collard greens were unexceptional – and tasted inexplicably of cumin. Her second side order, grits, won top awards: fluffy and deliciously decadent. The three of us split two additional sides. Cheers for the crispy fried okra ($4), but the ranch dipping sauce overpowered. The house-made mac and cheese ($5) looked pretty, flecked with chile, but looks can be deceiving: it didn’t even taste as good as the boxed stuff.

My second visit to May’s Counter provided two delights: the pickle chips appetizer ($7) and the “best bite ever.” My dining companions and I dug into the crisp, salty pickles with gusto. They seem like a misfit among appetizers ­– they strike me as a perfect bar food ­– but they’re good enough that I’d eat them wherever they show up. The “best bite ever” I credit to the culinary genius of my friend Alex. He ordered the “BYO” ($12 for a waffle and your choice of three pieces of fried chicken) and deconstructed the whole thing into a mess of dark meat, crispy skin, hot sauce, and maple syrup, scooping it all up with bits of waffle. He fed Ali and me each a big bite of chicken wrapped up in a waffle dripping with hot sauce and syrup. Absurdly messy – and equally delicious.

Our “Angry Bird” buffalo chicken sandwich ($9) tasted solidly O.K., but the “12 Gauge Chicken” sandwich ($9) should have stayed in the kitchen. A thick, puffy, hamburger-esque bun and dry grilled chicken overwhelmed the tentative spread of grayish guacamole and a few slices of jalapeño. A side of succotash ­– a buttery mix of grape tomatoes, corn, and lima beans – was colorful and had plenty of flavor, but wasn’t good enough to salvage the meal.

May’s attracts families looking for a casual meal out and groups of college students looking for comfort food and a beer in a sports-bar environment. The restaurant, brainchild of Arizona chef and restaurateur Aaron May, has a good concept, and they’ve got their marketing down pat (“Eat Well, Drink A Lot” is their catchy slogan). With a relative dearth of fried-chicken-and-waffle joints in Tucson, sure, hit up May’s if that’s what you’re really craving. But, at least at dinner and lunch time (I didn’t try their breakfast offerings), don’t stray off the beaten path. May’s can fry up a good piece of chicken – they can fry anything pretty well, for that matter – but beyond that, they disappoint.

The lowdown:

How much? $$ (entrees average between $10 and $15)

Who goes? Attracts sporty college students and families.

What’s the vibe? Classed-up sports-bar ambiance; plenty of outdoor seating. Service is inconsistent but not terrible.

Is it worth it? Go if you want fried chicken and waffles and don’t mind that your meal’s a little overpriced.

All major credit cards accepted.

in pictures: the rooster cogburn ostrich ranch

December 21, 2012 |

Some things are really weird. For example: Tucson drivers’ propensity to forget how four-way stops work when a bicyclist shows up at the intersection; Skrillex; and the fact that the NRA claims that keeping guns out of schools makes schools more, not less, dangerous places for kids. Obviously this list could go on forever, but let’s skip ahead to #38 on the List of Really Weird Things: the Rooster Cogburn Ostrich Ranch in Picacho, AZ. Holly and I went there as part of our “Discover Tucson” series (which seems to be developing a theme of discover-things-PETA-would-hate-about-Tucson. Sorry, PETA!). I’ll let the pictures (below) do most of the talking, but first I’ll explain that what I found weirdest and most unsettling about my trip to the ranch. Basically, it was unpleasant to partake in a system that commodifies human-animal relations in a completely asymmetrical relationship: the animals, instead of being left to themselves, spend their days begging from humans. Of course, it’s not a huge deal on the scale of messed-up-stuff-we-do-to-animals—at all. But is a visit to the Rooster Cogburn Ostrich Ranch my idea of fun? Nope. The donkeys were all right, though…

“Bonding” with the donkeys:

But seriously: “Little Donkeytown USA”? That’s so corny. Or I’m just a snob. Or some combination of the two.

One of the donkeys is a smiling donkey, so we had to Instagram about it.

The deer were pretty but bizarre to interact with. They are obviously wild animals. (You wouldn’t be able to tell from this adorable picture, though…)

“Goat Penthouse” = gigantic question mark. (It has to do with how certain species/breeds of goat like being high up, which I get, but… Still… What?)

Finally, the ostriches. Alien heads:

Dinosaur feet:

Supah weird, folks!

That’s all for now. I LOVE YOU GUYS and I’ll share the MAGIC of “chakra glasses” with ya next time.

Sundays at The Cup

December 14, 2012 |

The Cup Café is the place to be in Tucson on Sunday mornings, and there is, accordingly, a substantial wait time for a table. In Hotel Congress’s own words, however, “The build-your-own Bloody Mary bar helps pass the time quickly.” Indeed, this creatively-designed bar, situated in the lobby of Hotel Congress and open exclusively on Sunday mornings from 10- 2, is even a destination in and of itself. Explains Matthew “Cheeks” Talavera, one of the bartenders you’ll regularly find at Hotel Congress at the Sunday bloody bar: “It’s not just about wasting time before you get a table at the Cup.”

Time might not be wasted at the Bloody Mary bar, but you might very well end up that way if one delicious morning libation happens to lead to another (and maybe another). Part of the fun is the set-up: there’s a cup on the bar full of slips of paper. Grab one, and in the style of a sandwich shop you get to circle your preferred ingredients: salt or not; your choice of vodka, gin, or tequila; level of spiciness; number of shots; and garnishes. Some of the garnishes, like pickles, are classic. Others are more unexpected: avocado, artichokes, and three different types of cheese are all options.

My companions and I took our made-to-order Bloody Marys out to Congress’s front patio—we can be counted among the Bloody bar clientele who were not simply passing time before breakfast at the Cup—and began a share-and-compare session. My brother and our friend both had delicious drinks, but—luckily for me—my own Bloody Mary was my favorite. I chose the classic vodka Bloody, chose “hot” as my desired level of spiciness, and garnished the drink with cilantro, capers, cucumber, and goat cheese, plus the requisite celery. (I was hesitant to add cheese to my Bloody, but I can’t really even resist goat cheese, even when it seems like a bad idea (which is rarely, to be honest). I’m glad I added it. The creaminess of the cheese helped to offset the spiciness of the drink.

Because be forewarned: concerning the “hot” Bloody Marys, Cheeks tells me (and I can corroborate), “You asked for it hot—it’ll be hot!” Indeed, both my brother’s and my Bloodys were exceptionally spicy. Even the mild Bloody has a bit of a kick to it: the Bloody mix at Congress, made in-house, contains Mexican chili, a Tucson-made green poblano sauce, and Tobasco.

The staff wasn’t too knowledgeable about the origin of the Bloody Mary bar, which was too bad because it would have been nice to hear the story of how it came to be. Apparently it’s been around for four or five years and “you don’t want to know why it’s called Bloody,” according to Andres “Andy” Parada, a Cup server and sometimes-Bloody Mary bartender. The Bloody Mary bar doesn’t need myth and notoriety to be a success, though (Hotel Congress has enough ghosts already, anyway). What it needs are good Bloody Marys—and that’s already covered.

 

street style: street fair

December 11, 2012 |

The lovely locals at the “Got All Your Marbles?” jewelry booth caught my eye at the street fair! Multicolored hair and zebra-printed glasses? Ys pls. (Also, what’s with the Batman paraphernalia in the background? Siiiiick.)

in pictures: the street fair, duh

December 10, 2012 |

i’ll see you at: the babies’ show

December 7, 2012 |

I’ll see you at Topaz. Duh. Do I go see shows anywhere else*? Kind of… Not really… Because (a) I don’t get out much (unless it’s to sit on Holly’s patio and drink a beer) and (b) there’s really something cool about being to support the endeavors of lovely people with whom you share real-life personal connections, and, as I’ve said before, I think what Krysta & Joel are doing is really cool—so I get out there and show some love! Oh, and bonus (c) the cover at Topaz is always pretty minimal.

ANYWAY, y’allz should all come and check out BABIES at Topaz next Tuesday, December 11th. You might’ve heard of either Woods or Vivian Girls… Well, Babies is what happened when those bands procreated. Or rather, when Kevin Morby (Woods) and Cassie Ramone (Girls) started making music together as a casual side project—a “casual side project” which is today serious enough that the Babies are in the middle of a wide-sweeping national tour. Stream the Babies’ album here to see if this is the kind of music you’d like to see in concert—I’ll bet it is. Wistful yet straightforward, with arrestingly direct lyrics, the Babies make the best kind of indie/pop/rock (y’know the kind of music I’m talking about? Guh, this is why I never talk about music).

*I saw Math the Band the other day at Solar Culture, actually. WOAH STOP THE PRESSES. Unfortunately, I suck and didn’t take any pictures.

 

 

 

 

not-so-good eats: sinbad’s

November 30, 2012 |

Y’know, maybe I’m starting to see what those one-percenters are always whining about: sometimes it’s tough to be spoiled. Now, I’m not saying I totally get it: I haven’t felt the pain of paying taxes on my $12 billion’s worth of assets, nor do I claim to know the moral agonizing that goes into the decision of: to insider trade or not? But… I’ve eaten a lot of good Arabic food.

The disappointing meal.

Okay, so the parallel between the experience of being filthy rich and having eaten a lot of food—no matter the cuisine—is a tenuous one. But in both instances someone ends up making a big deal about something that no one else imagined was even an issue. “Wait—my bonus is only two million dollars? It was supposed to be two point five! What a disappointment.” Or, in my case, “Really, this lentil soup just doesn’t have the right balance of spices to be perfectly complemented by a squeeze of fresh lemon juice. What a disappointment.”

What I’m getting to is: Sinbad’s was kind of a letdown. I got a minty yogurt drink, a yellow lentil soup, and an eggplant sandwich, and my dining companions and I shared appetizers of hummus, tabouleh, and baba ganoush. Let’s start with the positives: the tabouleh, baba ganoush, and yogurt drink were all pretty good. I’m easily pleased by baba ganoush, and Sinbad’s did theirs right: it had a rich, smoky flavor imparted by the eggplant and was made with plenty of olive oil, making for a rich appetizer. The tabouleh was well-made, too. It was fresh-tasting, with lots of parsley, small pieces of juicy tomato, and not too much bulgar. Finally, the yogurt beverage was yummy. I could barely taste the mint (unfortunately), but the tart, lemony flavor of the yogurt was well-complemented by the saltiness of the drink (if you think a salty beverage sounds like a weird thing, remember how good Bloody Marys are).

Unfortunately, the negatives outweighed the positives of my mealtime experience. The falafel had a good texture, but was totally bland; ditto the hummus, which needed more tahini or possibly more salt—it was completely uninteresting. The soup was bland. The sandwich was bland. I have had fantastic yellow lentil soups before, and this version was completely forgettable. the sandwich was dominated by lettuce (yum!), with only a tiny bit of eggplant in it, and the flatbread was verging on stale. Also, as good as my yogurt beverage was, why couldn’t I taste any mint!?

I definitely didn’t dislike Sinbad’s enough not to go back, but if I I return to find my next meal similarly lacking in flavor and nuance, I’ll write it off completely.

interview: alexsey’s art

November 22, 2012 |

I came across Alexsey Kashtelyan, a local artist and illustrator, as he was working on a t-shirt design for local band Young Hunter at Café Passé. I was intrigued by the piece he was working on, which combined the graphic impact of hyper-stylized text (a note: Alexsey does some work in Hebrew, and/but, interestingly enough, the style of his “Young Hunter” text reminded me a lot of classic Arabic script) with the nuance of detailed illustration. I took a few photos of him as he worked, then followed up on the meeting by emailing him with a few questions about his work and the sources of his inspiration. Check out the photos and interview below, and take a look at more of his work here.

 (Click image above for detail.)

Zócalo Hannah: What has your art education—formal and informal—consisted of?

Alexsey Kashtelyan: My art education isn’t too different from that of other artists around the world. I started doodling since I could, and didn’t stop! Otherwise, formally, I have a minor in Studio Art from the University of Arizona, with a Marketing Bachelors. I still wish it were the other way, but… Cold feet got me.

ZH: There seems to be a macabre element and/or fantastical element to much of your work. Where does that impulse derive from?

AK: You know… I really can’t say! I’ve just always been drawn to the horrific and fantastical  Maybe it’s because my brother forced me to watch horror movies when I was a child, an Frey and Jason somehow burrowed their ways into my psyche. I’m also a fan of metal, especially the doomier side of things, and the art that follows along has always fascinated me. But – ironically, I was terrified of evil, satanism, etc. all throughout my early youth because of irrational fears stemming from an overactive imagination, or something. I once didn’t even let myself listen to a single KISS song because I thought they really were knights of Satan! Anywho…these days, it’s mostly just a side of the imagination that really inspires me. And if nothing else: it looks cool. Skulls will never go out of style.

ZH: A lot of your text is in Hebrew. Also, you’re originally from Russia. What international, multicultural, or religio-cultural influences does your art contain? How does your life as an American but also as a multicultural citizen inform your art?

AK: Well, I suppose I should tell the story about that. So, every Jewish person has default citizenship in the state of Israel should you decide to move there. Along with that, to promote American-Jewish relations, as well as subtly try and boost the Jewish population, there’s the “Birthright” program that allows any Jew from the ages of 18-26 to get a free ten day trip to Israel. I went on that trip as a pilgrimage to the Uganda Bar in Jerusalem, where the band Om performed a five-hour long set released as a double vinyl called, simply enough, “Live In Jerusalem.” Anywho: I get to the bar, an there’s this band setting up called “Lili Franko.” They had a great set, I rocked out, and they invite me for falafel. Sadly, I had to get back on the tour bus to get to our hotel. Some facebooking later, I proposed that I do some art for them, and a few months later… Here we are! Great folks. And writing in Hebrew is a great artistic challenge as well; I’m a huge fan of the style of writing used in Torahs. And then, of course, there’s the old Russian fairy tales and the artwork that goes with them — I’m a huge fan of Bilibin and Repin. Those two are pure magic. But enough ramblin’ — in sum: Being multicultural has had a huge effect on my art, from the way I view it in an international and historical perspective, to the influences that physically manifest themselves in my work.

ZH: Who commissions art from you? What sort of art do you like to do?

AK: Most of my commissions come from bands in Tucson, though as I noted before, I’ve had some commissions from Israel, and from some friends in Portland, including illustrating a short story or two. But mostly: Tucson bands. I’ve always been interested in the psychedelic artwork that came from the 60s/70s San Francisco scene. All the illustrations for the Fillmore are gorgeous. But more importantly, I love the way that the style brought an outward sense of unity and closeness among the city’s culture. My goal is to help catalyze Tucson’s art & music scene in a similar way, if I can. Which is why most of the work I do so far is pro bono. I just want to collaborate and help people grow, and if my art brings the kids in to watch the show, that’s great. One day I hope to be selling prints, shirts, etc. an making a tidy profit… But I’m patient.

ZH: How long have you lived in Tucson? What do you think of the art scene here?

AK: I’ve lived in Tucson for the past 18 or 19 years, since I was five years old or so. I used to hate this town when I was younger because I couldn’t really do much downtown, couldn’t really participate, or simply just didn’t know how. But as of late, I’ve grown to love it. First of all, it’s just simply pleasant to sit around a patio, and always meeting up with someone you know, randomly walking down the street. That same “smallness” is great in that every band seems to knows every other band and plays within every other band, and so on. Just feels good. The “art” scene, however, I’m not too sure of. There’s some unity, but I think just because “art” (as in drawing, painting, etc.) is more of a personal thing, it’s harder to collaborate or even simply meet up over the sake of art. It’s still there, of course. The Art School at the UA really helped me to meet other artists, and get that same sense of community I’m sure musicians here feel. As well as the Art Phag meet up at the Surly Wench, and other art happenings around town. It could also be that the type of art I do primarily deals with musicians, rather than galleries. So… overall… not sure! I still have yet to fully discover it, and that’s amazing.

interview: fair wheel bikes

November 17, 2012 |

Memo from the guys at Fair Wheel Bikes*: your bike is not a toy. But it’s not an indestructible machine, either. “A lot of people come in here with unreasonable expectations about their bikes,” Patrick, a Fair Wheel Bikes mechanic, told me. But the bad news is that even at this world-reknowned bike shop, “we can only make your bike work up to a certain level of awesomeness.” That level of awesomeness is inherent to your bike, it turns out. If you’re starting with a one hundred dollar department-store bike, you’ll probably never make a race-worthy roadbike out of it. That doesn’t mean you shouldn’t be taking care of it, though. “Learn how to change a flat,” Patrick tells his theoretical customer. “It’ll come in handy.”

Or perhaps a not-so-theoretical customer: I admit to Patrick that I actually don’t know how to change a flat. Patrick assures me that’s fine, but he reiterates the importance of knowing how to take care of one’s bike. The other two guys I’m talking to agree. “People expect they’ll never have to work on their bikes,” says Ron. “That’s not true. Look at the roads here: your bike takes a beating.”

But, I protest, wasn’t Tucson rated one of the most bike-friendly cities in the country? All three mechanics scoff. Ron explains: “We don’t deserve that rating. It’s based off of statistics like, how many miles of bike lanes does the city have? It’s not based off of actual rideability.” I—and any other commuter biker in Tucson—can see what Ron’s talking about. Myriad potholes, bike lanes that end without warning, and roads wrinklier than Jan Brewer—not to mention the trolley tracks criss-crossing downtown and 4th Avenue!—don’t exactly conspire to create a cyclist’s paradise. In other words, Tucson’s not quite Amsterdam yet.

There is a great road bike and racing scene in Tucson, though. That’s where Fair Wheel gets its claim to fame: as the go-to bike shop for all of the nationally- and internationally-ranked cyclists who spend days, weeks, or months in Tucson riding and training during the temperate winter months. Fair Wheel Bikes’ walls are plastered with signed jerseys and other paraphernalia that documents the shop’s longstanding relationships with famous cyclists and teams. So when you bring your bike into Fair Wheel for a tune-up, you can rest assured that your bike is getting taken care of by top professionals—even if those professionals occasionally seem curt or disinterested. (A sidenote: my conversation with these Fair Wheel employees was pretty candid—we were sitting around drinking tallboys and throwing handmade bike-spoke ninja stars into cardboard boxes, after all. So I got some frank admissions out of these guys.)

“We work with countless customers in any given day, and when people come in with simple issues it can be a little frustrating. Not because we can’t fix their bikes—we can,” says Ron. But unfortunately, “we don’t have time to give in-depth one-on-one attention to everyone who walks through the door. If you have a flat tire, we’ll change your flat. But some people can be really needy, and we don’t have time to offer emotional support” about your bike’s flaws or give a bike repair 101 lesson.

So that explains some catty Yelp reviews. Regardless of their sometimes brusque attitudes, I can attest to the fact that these guys are nice guys, and they obviously care deeply about the bikes they spend their days working and playing with.

“My life revolves around bikes. When I’m not fixing them I’m building them, and when I’m not building them I’m riding them,” says Ron. “It’s kind of depressing,” he jokes.

Patrick’s, Ron’s, and Alex’s passion for bikes is the opposite of depressing. It’s humbling, and it’s also inspiring. After talking to these experienced cyclists and mechanics, I’ve got more reason than ever to head to BICAS and learn how to take care of my own beautiful bike, which uncomplainingly gets me all over the city. (Note: a couple weeks after I talked with the Fair Wheels guys, I actually ended up taking my bike in… To get a flat fixed. Whoops! They were super nice about it, though!)

* Built the world’s lightest bike… Nbd.